By Robert Scucci | Being published
Time without a theory. 2007’s Go Hard: The Dewey Cox Story it is not available for broadcast because it has the power to destroy the entire industry if it is easily available for anyone to watch. What industry, you ask? The music biopic industry. It’s an onslaught on the nose with its cutting edge stories and over the top stories and hits that threaten to undermine award-winning awards like Bohemian Rhapsody, A complete unknownand, most recently, the Jeremy Allen White Springsteen Project, Free me somewhere.
As a leader who absolutely despises music biopics, I think I have a strong and unbiased argument here. Every single biopic is exactly the same, without fail, too Go hard break away from the rest of the genre by working together. Any casual viewer who watches this Judd and Jake Kasdan trailer before watching the official “Bioyic” will simply decide to walk away from the genre. You can’t take movies like that Dirt or Walk the line seriously behind Go hard it reveals what formulas really are.
The power of an active blast
I was always working with someone who was on the road to Motley Crue in the sense that he was really celebrating their entire catalog. When 2019’s Dirt It went down on netflix, she was sick of it for a week. A musician myself at that time can take or leave music biopics, I watched it with his own admiration. I was constantly annoyed, and not only because Dirt It tries to discourage some of the most disgusting character arcs like the hero’s arc, but because of how good this conversation was. It’s like a band that came from nothing and became Megastars overnight, and all the sounds are stripped away.
It may seem like I’m writing this Go hard Just the article I can enjoy Dirtand it is partly true. The problem with Dirtand it’s kind of a beast, that’s when the big time line of sepping is trying to tighten the folds of the artists while it’s playing like an episode of vh1’s After the music. Nikki Sexx runs away from home, squats in an apartment with two mates, plays one gig, and takes the world by storm. There’s sex, drugs, and rock and roll. Then the grief of the disaster. The band hits a low point. They have crossed over. They reconciled. They then went on a back-to-back concert while the band’s real potage played over the credits.
This is an issue with MUSICICICE BIOPICS. Pick any one biopic out of a random lineup and it will rely on the same cliché that hits without deep cuts. Actors Cosplay as rock stars, gave the audience a Wikipedia Rundown of A mane long career in less than two hours. It’s a buffet of biography just don’t commit to this speech if you’re a diehard fan of the artist. Musical Biopics are great coffee table books, too Go hard he thrives in this context.
The Walk Hard Rundown
For the sake of my argument, I’m not going to give you all the blow by blow of Go hard Because if you are a person with eyes and ears, you already know what is up there. Dewey Cox, played by John C. Reilly, is about to make his last comeback, so he needs to think about the rest of his life before hitting this stage. Carbon copy of Walk the line It’s the opening sequence, and it’s so deliberately inclined that you’ll never watch the film put together a straight face again.
We learn that Dewey accidentally cut his brother, Nate (chip hormess), in half with a machete, giving us an “anointing” angle from his past. Dewey, who never got over it, is reminded by his father (Raymond J. Barry) that “the wrong Son is dead,” They are always on the line together. Dewey teaches himself Blues Guitar one evening, and seven years later he is revealed as a 14-year-old, though obviously John C. Reilly without makeup.
Like a true biopic, things continue to escalate
Dewey meets with Jewish Record executives and gets his big shot. He was almost laughed out of the recording booth but decided to record his new song, “Go Hard,” as Mary rocked to the beat. The band behind him have never heard the song before but are told to follow his lead, which immediately leads to full meetings because everyone knows the songs. Theo (Chris Parnell) takes the bass line for a walk, and Dave (Matt Besser) Compy on guitar like he’s been doing for years.
Dewey Cox becomes a household name, but his manager, Sam (Tim Meadows), drugs him with warnings like, “You definitely don’t want this, it’s pretty much going to ruin your life.” Dewey takes drugs, and they ruin his life. Dewey marries his second wife, Darlene (Jenna Fischer), without a single thought of his first wife at home, Edith (Kristen Wiig), with whom he is still married and has children. It goes like this. But don’t worry, there will be a triumphant ending because it’s a musical bike.
So on the nose that destroys biopics
Go hard: dewey cox The silent story destroyed the entire genre when it was released. Although it was a hit, it failed commercially, grossing $20 million at the box office against a reported budget of $35 million. The damage, however, had already been done. Now celebrated as a cult cult, it’s easy to see why Go hard it has stood the test of time. Not one musical biopic released as it was released seriously because John C. Reilly knew the assignment. He is a friendly journalist, whose reputation is controlled by the biographical film, and his commitment to this undermines the impact of any “true story” made to play like a high-speed reel.
While I have no way of definitively proving that Go hard It was kept broadcast to protect the Studio’s investment in existing and future music biopics, I’m sure why it was hidden behind the viewers to throw down money when they already subscribed to 10 other streaming platforms.
Dewey Cox is a guaranteed hit, with Freddie Mercury, Bruce Springsteen, Bob Dylan, Bob Marley, and Elvis Presley all at his venues. Like writing, you can’t broadcast Go Hard: The Dewey Cox Story. If you want to confirm my opinion, you can rent or buy it through Amazon Prime Video, Fandango at home, and YouTube.
