By Chris SnellGrove | Being published
Now that Paramount has finalized its merger with Skydance, Star Trek is in creative mode. A new unknown world only has time and a half left, buzz for Starfleet Academy It is NOT, and there are no solid plans for a source movie.
The new leadership of the Studio wants to make this a sci-fi franchise to begin with, but it is clear that they do not know how to do that. As a Lifebusong installer, I am here to help you with my pitch: Kobayashi maruThe Star Trek Anthology shows StarFleet officers from different eras all trying to overcome a no-win situation.
A bad win situation
If you need a refresher, the Kobayashi Maru is a very popular test that all Starfleet Academy crews must take. It is designed as a test of character because there is no way to win: Officers can try to rescue a river that is dragged outside the neutral zone, risking their lives and risking a possible war with the Klingons. Alternatively, they can sit back and do nothing, knowing that they are abandoning everyone in the hands of those farmers or worse in the hands of the Klingons.
This test is presented internally Star Trek II: The Wrath of Khana movie featuring James T. Kirk as the only CADET who ever hit a winning streak. He did this by using Eveliedient cheats, reprogramming the computer to make victory possible. Some arrows throughout the history of the franchise had to find their way to travel in this impossible application, and I call an anthology show that examines their stories.
A new version of the Star Trek Show
What does this look like, exactly? This page Kobayashi maru The series I’m getting will be the ultimate anthology show, one that focuses on a different starfleet cadet in each episode. And while those episodes can have a lot of extra games to spice things up, the basic premise of each story is how each cadet deals with a win-win situation.
One strength of such a show is that it won’t be tied down to any one era of Star Trek. With some adjustable adjustments, the episodes can happen during the favorite shows like The original series and The next generation. We can also examine the two time frames of Getting it (Two hundred and 32nd) and similar series Persuasion.
Old characters, new stories
One is the power of Kobayashi maru Show that it can change between episodes that contain completely original characters and episodes that involve more familiar faces. For example, some of the A new unknown world The cast is small enough that we can have stories of how, say, hurrah hurrah and Nurshaphu pass the test. In the hands of the right writer, this will be a good way to get out of their character ARCs to better define the type of officers that each character will become later.
If the Star Trek FANDOM doesn’t care about repeating familiar roles and different characters, we can have episodes featuring characters from the golden ranks of the franchise. How cool would it be to see if a younger Picard, Janeway, or Sisko took charge of the Kobayashi Maru? Such a show is likely to be -one way to find new stories involving those characters since Persuasion and Place of origin they are over, too Star Trek: Legacy it will not happen.
A star is faced with a star who is faced with how important it is as how it deals with life
Finally, episodes of the original Kobayashi Maru show could help Paramount get a better idea of what fans really want from this franchise and what it actually wants from this frame. For example, fan feedback can help them learn what ERA fans want to see more of, which can be useful when creating future shows and movies. If the fans respond well enough to a certain set of characters, they can even be ripped off in their own series, similar to the positive fan response to Pike and Spock in Getting it lead to A new unknown world spinoff.
I’m a LELLELOng Trek fan, and despite my occasional (okay, regular) annoyance with its creators, I want this franchise to succeed. The anthology shows the focus on an important part of the history of the trek and contains familiar characters and new eras can be just something to please the fans and give a better idea of ”going bold” next. Without finding out what the fans want, however, Paramount may find that the ultimate win-win scenario is simply keeping the world’s biggest sci-fi franchise!
