Rachel McAdams’s 2000s thriller is the worst, with the worst night’s intentions
By Robert Scucci | Being published
After watching 1989 IxantelaI wanted another movie that takes place in a bottle setting because I like it when the actors have to work with the environment in which they have to tell a compelling story. In my search for positive writing, I went back to 2005 A red eyea film that didn’t capture my enthusiasm when it first came out but one that I wanted to give a second chance. Rachel McAdams and Cillian Murphy have already betrayed their long and decorated careers, and their chemistry here is the first powerful proof that what they do, what they do A red eye It’s a short and sweet treat that doesn’t overstay its welcome.
Round trip in 85 minutes, A red eye It has zero fat in its storytelling, which is exactly what this kind of fun needs. It goes in and out without you fully seeing its setup and execution, and if you’re willing to put up with some suspension, you’ll have a great time watching this mile-high melee. Just make sure you fasten your saebelt because it’s going to be a rough ride.
It’s relatively simple, but it works to its advantage
Here is the whole plan without giving away A red eyewhich shows how easy this movie is. Lisa Reisert (Rachel MCADAMS) manages the Lux Atlantic Hotel in Miami and is flying back to Texas after taking care of some family matters. She meets and calls the calm and handsome Jackson Ripningner (Cillian Murphy) before his flight, only to find that he is sitting next to her on the ride.
Jackson reveals himself to be a pet terrorist and plans to use LISA to help archestrate an assassination attempt against the Deputy Secretary of the United States against Harkles Seefe (Jack Scalaia), who will be staying at his hotel in the coming days. If Lisa doesn’t cooperate, Jackson will put his father outside of his father, Joe (Brian Cox), before the flight and even at the end.
That’s the whole plot to go A red eyeand the stakes were made to come out before we came up with the first Law. The entire film is a tense, claustrophobic experience inside the plane cabin as Lisa tries to get Jackson out, who always seems to be one step ahead.
It’s clear that he has done things like this before because he never loses his cool and just sits back and waits for him to comply. Cillian Murphy is a complete risk in this role because Jackson starts out very interesting to gain Lisa’s trust, and then turns into a DIME the second it’s his time to carry out his plan.
It’s absurd, so don’t think about it
A red eye It’s an interesting little enthusiasm raised by some great talent, but I’ll admit that there are a few things that put me off it. What worries me the most is how unlucky the other riders were.
Sure, Jackson threatened Lisa to keep quiet, but there are times when it’s obvious she’s in trouble and everyone looks the other way. In the real world, people can log in and use Jackson’s stories.
I would have liked to see how he would handle such a large-scale disruption. Then again, that can be very confusing, so it’s best to suspend some disbelief and imagine that everyone is on the side of the turbing lisa whispering through her teeth and forcing her to make phone calls after phone calls.
It’s probably not worth mentioning A red eye ScreenPlay issues because streaming sells the base. Back in 2005, I only watched this movie because it was my only reference to Cillian Murphy 28 days later. Here, he shows a real range as a generous person who feels in full combat, a far cry from the fearless survivor of the apocalypse from his broken role. While I saw perfectly A red eye At the time, I’m more forgiving twenty years later because I’ve seen some really bad worms since, and by comparison this one caught better than expected.
A red eye it’s loud, it’s loud, and it will make you think twice about making small talk with your passengers on the plane. If that sounds like something you can handle, you can stream it on Paramount as well as on this blog.
