The icons of Star Trek’s Golden Age just revealed the franchise’s biggest problem

By Chris SnellGrove | Being published 7 seconds ago

While the Star Trek trailer is generally lovable, there is one show that puts fans’ noses out of sync: Businessa sexy series with a Jaunty Theme and unmatched quality throughout. The show was better than ever in its fourth and final season, but it all came down to the Series Finale being considered the worst in franchise history.

Recently, Business Executive producers Rick Berman and Brannanna Braga defended the flawed background. In the process, they accidentally reveal the biggest problem in all of Star Trek: Focusing on fan service rather than engaging in quality storytelling.

A next generation episode?

Both of them Business The creators recently appeared on the D-Con Chamber Podcast, where they discussed the most popular aspect of the show’s final episode: it took place during Star Trek: The Next Generationwith Riker retracing Captain Archer’s most famous adventure and interacting with the crew through Holodeck Wizardry. Some fans hate this awesome device because it makes the story feel like The Next Generation episode than Business One, but Braga defended their choice, “We wanted to send a valentine to the franchise.”

For fans who hate the setting of TNG, Braga insists that his decisions for Berman “should not have been wasted or honorable … At this time, Braga clarified that Berman “has been with this camp for 18 years, and I was there for 15.” Instead of telling a more specific story, the two wanted to go out on a high note, bringing more shows together in an effort to “send a valentine to the franchise.”

Big problem with Star Trek

That sounds good on paper, but Braga effectively explained the biggest problem with every trek show star since Business released its last episode. Simply put, franchise producers forever The content is to focus on one story and should turn each new series into its own sloppy love book in the franchise. For example, Getting it it probably immediately met with it The original serieswhile Picard is freaking out over things of Voyager and The next generation.

The Showrunners attack these zips together like children who play with all their toys at the same time with the same motives as Rick Berman and Brannan Braga: It is a very exciting desire, and we even make a lot of sense in the years when you meet the cinematic Universer who continues to dominate the Multiplex. However, Showrunners tend to forget the forest for the trees, focusing on nostalgia at the expense of delivering compelling episodes.

The Star Trek Cinematic Nostalgiaverse

Think about it: in Getting itthe second season, we got a lot of focus The original series Pike and Spock before we even knew the many names of the Bhole bridge. between Persuasionwe saw two borg queens and witnessed the wesley crusher attached to it The original series Before the show he gave the TNG reunion everyone was asking for. A new unknown worldAt the moment, it is always the worst when it tries to offer something else The original series An Easter egg rather than focusing on its news stories.

Sometimes, this method is more effective than others. However, in all cases, focusing more on creating Valentine’s Day episodes for the entire Franchise means that we get fewer episodes featuring The next generation and Voyager it’s big hits. If you think the new show (Starfleet Academy) in Spoff of Adoption, It doesn’t look like the new show will break this annoying pattern anytime soon.

Now that the merger with Skydance is complete, Paramount wants to focus on its iconic SCI-FI series more than ever. If they want new shoes to succeed, they need to worry less about remembering Star Trek’s past and more about creating its future. Otherwise, a franchise built on Valentines won’t work because general audiences need appealing, self-contained shows rather than love letters to half a century of a franchise they’ve barely watched.